kaylapocalypse:

Actually

The question I get the most is how I write characters that feel like real people. 

Generally when I’m designing a human being, I deconstruct them into 7 major categories:

1. Primary Drive
2. Fear: Major and Secondary
3. Physical Desires
4. Style of self expression
5. How they express affection
6. What controls them (what they are weak for)
7. What part of them will change.

1. Primary Drive: This is generally related to the plot. What are their plot related goals? How are they pulling the plot forward? how do they make decisions? What do they think they’re doing and how do they justify doing it.

2. Fear: First, what is their deep fear? Abandonment? being consumed by power? etc. Second: tiny fears. Spiders. someone licking their neck. Small things that bother them. At least 4.

3. Physical desires. How they feel about touch. What is their perceived sexual/romantic orientation. Do their physical desires match up with their psychological desires.

4. Style of self expression: How they talk. Are they shy? Do they like to joke around and if so, how? Are they anxious or confident internally and how do they express that externally. What do words mean to them? More or less than actions? Does their socioeconomic background affect the way they present themselves socially? 

5.

How they express affection: Do they express affection through actions or words. Is expressing affection easy for them or not. How quickly do they open up to someone they like. Does their affection match up with their physical desires. how does the way they show their friends that they love them differ from how they show a potential love interest that they love them. is affection something they struggle with?

6. What controls them (what they are weak for): what are they almost entirely helpless against. What is something that influences them regardless of their own moral code. What– if driven to the end of the wire— would they reject sacrificing. What/who would they cut off their own finger for.  What would they kill for, if pushed. What makes them want to curl up and never go outside again from pain. What makes them sink to their knees from weakness or relief. What would make them weep tears of joy regardless where they were and who they were in front of. 

7. WHAT PART OF THEM WILL CHANGE: people develop over time. At least two of the above six categories will be altered by the storyline–either to an extreme or whittled down to nothing. When a person experiences trauma, their primary fear may change, or how they express affection may change, etc. By the time your book is over, they should have developed. And its important to decide which parts of them will be the ones that slowly get altered so you can work on monitoring it as you write. making it congruent with the plot instead of just a reaction to the plot. 

That’s it.

But most of all, you have to treat this like you’re developing a human being. Not a “character” a living breathing person. When you talk, you use their voice. If you want them to say something and it doesn’t seem like (based on the seven characteristics above) that they would say it, what would they say instead?

If they must do something that’s forced by the plot, that they wouldn’t do based on their seven options, they can still do the thing, but how would they feel internally about doing it?

How do their seven characteristics meet/ meld with someone else’s seven and how will they change each other?

Once you can come up with all the answers to all of these questions, you begin to know your character like you’d know one of your friends. When you can place them in any AU and know how they would react.

They start to breathe.

Writing daily-life stuff in Japan: Food

zenthisoror:

Considering how much fanfiction gets written set in Japan. I thought I might just share some daily life details that may or may not be useful. 

This comes from my own experiences of living in a bicultural household and living in the country for about a month every year of my life. Admittedly, I’ve only lived in a deep rural area and visited cities, but some of the pointers will still be relevant.

The first thing that come to mind when you’re trying to describe another place is to get to grips with the food culture.You know the saying, ‘To know a people, know the food that they’d willingly consume’? So, for this post, I’m going to talk about food details.

1. Food that you might have in the fridge: Old rice if you made rice in bulk + various rice toppings. Think of rice as the bread, and the fridge being full of the spreads you could put on it. 

Pickles: Might not be so popular with the younger generation, but if they live with their parents, there will bound to be at least one kind of pickle in the fridge, because there are speciality pickles for almost every prefecture and you cannot escape them. In the same way as spreads, they usually taste very strong and its rare to eat them as they are, unless they’re just that tasty and you like pickles that much (think of somebody eating peanut butter with a spoon straight out of the jar). You would eat pickles with white rice. Here are three examples: Umeboshi – pickled plum, and it is sour and very salty! You can suck on stone for minutes afterwards, just savouring the salt taste. Usually one plum is sufficient for one bowl of rice. Takuwan – a smelly, giant horseradish pickle, which might look a bit yellow with age. When you see giant horseradishes drying in the sun around the back of the house, this is probably what they’re going to be made into. Rakkyo – little pickled onions. 

Other toppings: Shirasu – tiny little white fish, each fish is about two centimetres long, and you sprinkle (or heap them, if you really like them) over rice. Delicious. Again, may not be popular with the younger generations who have grown up accustomed to more Western flavours.  Gohandesuyo – seaweed paste in a jar. It’s salty like Marmite and like Marmite the name of the food is the name of the brand. You put a tablespoon or so on one bowl of rice. 

Spring onions. We are never out of spring onions. Ever. Chopped up fine.

Sauces: Soy sauce, mirin, su (rice wine vinegar), yakiniku sauce (sauce specifically for yakiniku), mayonnaise, yakisoba sauce, ketchup, mustard in a tube, wasabi in a tube.

A tub of miso: of which there are red and white variants, and there is constant family clash over which tastes better!

If the household eats bread, you’re more likely to get a vegetable oil spread than butter. I think a few years ago there was a butter shortage. It was just too expensive to buy or not on the shelves, but there were so many different brands of vegetable spread made from different flower seeds! 

Egg is a fridge staple. If you’re in doubt and you need a quick breakfast or lunch, you could crack an egg raw over hot rice, spritz a dash of soy sauce on top, shovel it down and go.

Natto – fermented beans, its sticky and when you pull it apart it stretches with sticky web-like strands just like melted cheese. It’s famously an acquired taste but I love it on rice, in curry and in miso soup. Sold in wee cups, with sachets of sauce and mustard.

Also in the pantry: Katsuobushi – tuna flakes, often used to make tuna stock; Stick dashi – powdered stock, usually seaweed or tuna; wakame – seaweed; ginger; taka no tsume – dried hot chilli peppers, prettily named ‘hawk talons’; sesame seeds; sesame oil. Furikake – literally, ‘sprinkles’ for rice, when you have no other option. Maybe tofu. Panko for frying things. Golden curry roux blocks. Cream stew insta-kits.

Instant foods: Cup ramen, cup noodles, instant ramen, instant yakisoba, freeze-dried instant soups, instant corn soup.

The primary oil used for cooking is so-called ‘salad oil’: I don’t actually know what it’s made of, but it’s a vegetable oil of some kind.

2. Where I might buy food: Supermarkets for the fruit, veg, meat and fish, but for the best read-made fare, drinks and snack foods (kashi pan, onigiri, yoghurt, and depending on where you go there might be salads and bentos), you would head to a 24/7 open convenience store (e.g. Seven-Eleven, Lawsons’), where they also might do hot steamed pork buns and, lately, really good coffee to go. If you want to buy somebody a nice cake or box of tea-time sweets as an omiyage you might go to the basement floor of a department store. 

Vending machines – there is a vending machine everywhere. I am not kidding. Even in the deep countryside, I found a couple of vending machines up a mountain which smelled as if they had been scent-marked by raccoon dogs and bears. And at these vending machines, you can not only buy cold juice, but several different kinds of hot and cold Japanese teas, a very sweet milk tea, several different brands of hot and cold coffees, corn soup, potato chowder, hot shiruko (a sweet azuki drink), hot chocolate, hot and cold lemon…You’d honestly never go thirsty.

For sushi, we’d call up a sushi restaurant. The same goes for ramen. Unless you’re using an instant ramen kit, making ramen broth is hard. The tonkotsu variant is pretty much impossible at home. Likewise, you just can’t make good sushi at home. It’s not really a family meal or something that can be casually made. Typically sushi is brought out for celebrations or special occasions as it can be quite pricey but conveyor belt sushi places are more accessible.  

3. Bread: You will find white bread (fluffy, gorgeous, pillowy white bread, that’s basically like cake) but it’s really difficult to find brown bread. In the rural supermarket, it was non-existent and for bread with a crust, you’d have to go to the little street-corner artisan bakeries.

On the topic of bread and kashipan, I’ve often seen references in fanfiction of characters baking kashipan for each other, or kashipan just like their grandmother made it (e.g. anpan, melonpan, creampan). As much I like the sentiment behind these scenes, I’m not saying they’re impossible, but in most cases they are a little jarring. 

Our grandmother’s generation were not bakers. Most of the houses that our grandmothers grew up in did not have ovens, since Japan doesn’t have a tradition of domestic baking, and even now, a lot of houses still don’t have ovens aside from a nifty little oven toaster, Cakes and kashipan were seen as Western and trendy luxuries to be eaten at cafes (a Western import in itself) or bought from specialist shops which had the equipment to make them. They weren’t ‘casual home-cooking’ so to speak, even if the history of the anpan and the castella date pretty far back into the past now. 

Even now, unless you are a massive kashipan fanatic and dessert-making enthusiast, you probably wouldn’t bake a tray of kashipan at home when you could buy them perfectly made from a nearby convenience store. 

Having said that, I have tried making anpan in an oven toaster. I made six, since that was all that could fit on the little toaster tray. They were each about 6cm in diameters, and my grandmother complained that it was a waste of perfectly good azuki. 

You can, if you’re really into dessert making, make lots of things in an oven toaster, but if you’re looking to make something sentimental just like your grandmother made them, mochi might be a better option (e.g. warabimochi or ohagi), or maybe since sweet things historically tended to be more often bought from a specialist than made at home, quote a favourite wagashi that grandmother might have enjoyed from a particular shop e.g. the anko dama and imo youkan from Funawa; the chestnut manju from the shop by the station.   

4. Omiyage: If you go away on a trip and you’re inconveniencing work colleagues with your absence (which you are), this is the souvenir that you buy to take back and share at your work place, often a food item, so boxes of sweets are often packaged in such a way that the sweets inside are individually wrapped for ease of splitting distribution. 

This is also the word used for the gifts you bring back for family, either when you’re visiting relatives and you know that you will be encroaching upon their hospitality, potentially inconveniencing them, or if you’re coming back to the family and, in a way, again, it’s to make up for any inconveniences that might have been caused by absence  -although largely for family, it’s also about the joy of giving to those you care about!

Likewise, students who go away on holiday on a trip might bring back omiyage for fellow members of their club, if they’re involved in club activities. If you think of club activities as training children up for work place social structure and customs, it makes some sense. 

Not omiyage but an example of gift-giving, but if you move into a new neighbourhood, it’s usually expected that you visit your neighbours and take round gifts, as a gesture of courtesy and goodwill. There is, again, an element of asking forgiveness for inconvenience, because moving into the new home would have made a lot of noise and possibly caused a disturbance. 

With omiyage in mind, each prefecture tends to advertise certain foods/sweets that are ‘unique’ to it that would make suitable omiyage. A famous example would be ‘Tokyo Banana’ and anything matcha from the Uji area in Kyoto. 

5. Food is seasonal: Japan is hyperconscious of its seasons, so the fridge will likely contain seasonal fruits and veg. In a lot of Japanese poems, it was traditional to include a ‘kigo’, a word that encodes a season to set the poem in without explicitly saying ‘It is winter’, and some fruits are kigo. The persimmon is a kigo for autumn, peaches and cherries and plums for spring, and more recently the watermelon is a definite kigo for summer! Seasonal fruits also make good gifts for visiting friends’ houses, especially if you’re bringing them back from the countryside after visiting relatives. 

Autumn’s a great time for food. Now is the time when all of the mushrooms are coming out – shiitake, matsutake, enoki, shimeji – and they’re dried and preserved for the year. People who cook might have dried shiitake in the pantry for rehydrating and eating or using in stock. 

Foreign brands, aware of the seasonal sensitivity of their Japanese, often produce Japan only seasonal limited products. My favourite example of this is the Haagen-Daaz flavours. One autumn there was a pumpkin and cinnamon, and I’m pretty sure I saw a cherry blossom latte at Starbucks.

6. Food you might see at festival stalls: Taiyaki – fish-shaped pastries made with a pancake-like batter and filled with custard or azuki. Yakisoba – fried noodles. Yakitori – chicken skewers. Takoyaki – octopus batter balls. Hot dogs…With a shout-out to very rare diversity my local festival had a Turkish kebab stall last year. Kakikoori for the summer festivals – sweet ice, with typical syrups being red, green and yellow (strawberry, melon and lemon flavours respectively).

 …..and that’s enough for now I think. (21/9/2016)

10 sentence meme (Fairy Tail)

Taking advantage of my sudden urge to write, here’s my second unprompted attempt at the 10 8 sentence fic meme (x). This time for LoLu. I tried keeping it to one sentence each but I gave up and just… tweaked it a little. So I decided to limit myself to 100 words max per prompt instead. Inspired by King, Paper Hearts and Breathe. I miss seeing these two together.

Relationship(s): Loke/Lucy (LoLu), Lucy & Loke


1. Angst

It takes all of Lucy’s strength to not break down completely in the face of everyone who looks at her like they’ve never seen her before -with awe, respect, fear- in the aftermath of the battle where she attacks Acnologia with horribly glowing fists and a viciousness rarely exercised, almost taking down the self-declared Dragon King with force nobody sees coming.

But fighting Acnologia doesn’t, can’t change the split-second choice Loke makes that day when he glimpses dragon-fire fast approaching behind her, leaving behind powers she never asked for, painful memories of a broken promise and a half-melted golden key.

2. AU 

“Are you trying to sweep me off my feet?” the orange-haired Prince teases half-jokingly, perfectly content with the way the masked blond woman in his arms lead him across the dance floor and admires the way her elaborately layered crimson dress swishes as they twirl together at the centre of the room.

“Perhaps, my Prince. But I prefer the word ‘appropriate’,” she shoots back playfully, and he laughs a little breathlessly at her daring, charmed despite himself at her easy confidence. How did one of the most wanted thieves in Fiore successfully sneak into their heavily-guarded palace under everyone’s noses?

3. Crack

“Loke, how did we end up in this cardboard box?!”

4. Future fic

After the funeral of the only person he will ever love so unconditionally, Loke asks everyone still alive, including his new Owner, Yukino to call him Leo.

Memories of Lucy calling him ‘Loke’ never fail to make him feel raw.

Is this what Zeref felt when his world fell around him? Leo wonders as he slowly distances himself and the one time Gray accidentally calls him by his human name and sees the utter devastation written across his pale face is enough for Gray to apologise and do his damnedest to make sure no one else makes the same mistake.

5. First time (Loke takes a two-person job with Lucy)

Maybe Loke’s a bit too amused at how hard Lucy hopes for an uneventful job but of course, what they think is a simple protection job forces them to run from mutated crocodiles lurking in the nearby swamp, solve logic puzzles involving minor constellations, fight off a pair of stubborn thieves that they eventually befriend and apprehend a rogue Celestial Magic user together, resulting in minor damages to the mansion they happen to be protecting.

When Lucy groans, “How is this my life?”, Loke finally starts laughing as they walk away a few thousand Jewels short of their promised reward.

6. Fluff

“I don’t know if I can do this,” Lucy admits shakily as she stares up at the building before her, the Magnolia branch of the most influential magazine in Fiore. Recognising tells of her disquiet, Loke pulls her into a gentle hug and wonders if that familiar negative train of thought that often lurks at the back of Lucy’s mind can ever be dispelled.

“You can do this,” Loke says with utter conviction because he knows how badly she wants this and he won’t let her give this up, and eventually Lucy pulls away, steels herself and steadily marches in.

7. Humour

“Of course she said she doesn’t have a boyfriend, I’m her husband-to-be,” Loke lies through his teeth without hesitation, smiling charmingly as his arm rests on Lucy’s waist and squeezes in wordless comfort, having noticed the way Lucy tried to get away from the other guy from miles away.

Lucy plays along and melts into Loke’s side in barely hidden relief and muted satisfaction at the look of stunned outrage on the guy who wouldn’t leave her alone and the surprise of everyone else within earshot as Loke continues cheerily, “We’re thinking of getting married this autumn! And you are…?”

8. Hurt/Comfort

“I told you not to fight until you’ve fully recovered!” Lucy snaps, angry tears welling up at the corners of her eyes. Loke is dimly aware of Erza telling everyone else to give them some privacy, dragging Natsu and Gray away herself when they’re clearly thinking of sticking around.

Slowly, Loke reaches out and caresses her cheek, trying to comfort her the best he can, “I’m afraid I can’t do that, Lucy. Not when they are hunting us down like this and I’m still combat-capable.” Lucy’s tears finally fall at the injustice and the worst thing is, Loke is right.

What are your thoughts on Lucy as a character and a protagonist? I personally think she doesn’t get as much time to shine as some other characters (Erza) but what do you think?

fairytail-whathesays:

I feel like Natsu is one of the OC ideas that fell into Mashima’s head one day the way they fall into all of our heads, and Lucy is what happened when he tried to sit down and deliberately think up a good one. We both know which one ended up taking precedence.

You’re very right in that she doesn’t get nearly the time to shine. While Lucy may be the main character alongside Natsu, we all know who the story’s really about here. It’s not about Celestial spirits or Lucy’s dead mom, no matter how much Mashima tries to trick you into thinking it is. It’s about DRAGONS.

What I find particularly infuriating about Lucy is, despite how much potential she has and how much of it tries to be fleshed out and explored, whenever she is given time to shine, the rug is promptly pulled out from under her. The GMG arc is the worst about this, but it’s pretty constant. If she’s given any time at all to shine, it’s either taken from her, she’s upstaged, or she’s not allowed to do it on her own.

Lucy’s the only one able to use magic in Edolas? Well, let’s have her spirits completely malfunction and not come to her aid so she won’t look too competent. 

Lucy remains one of the only ones able to fight throughout the Tenrou arc? Don’t actually show her fighting any of the Seven Kin after Kain, who she didn’t even make any headway against on her own–Natsu literally wins the fight for her.

Lucy vs. Flare? Lucy is about to pulverize her, but she has her magic drained at the last second and wins Fairy Tail zero points.

Lucy in the Naval Battle? Lucy manages to be the last one standing with Minerva, who brutalizes her. Not satisfied with foregoing Lucy redeeming herself for the last time she was upstaged, she also nets zero points again because of a very stupid and highly noticeable rule they decided to implement that day and only that day for only that event. 

The Eclipse Gate? Lucy and Yukino close it, but they absolutely fail at destroying it, whereupon Natsu crashes a dragon into it and succeeds. 

Lucy summons the Celestial Spirit King to battle Mard Geer? Not without Natsu taking him on.

Jacob Lessio? Natsu was out of the fight for a while, but since Lucy’s about to fight he obviously needs to be back in the picture instead of sitting on the sidelines and letting someone else take precedence. 

I know you pointed out Erza with this, but Erza does not share central character status with Lucy (main character yes, but she’s not the one the manga’s ostensibly written around). But she is notable in that she’s basically Lucy’s opposite: while Erza is put into battles she can’t possibly win and the author has her win them anyway, Lucy is put into battles she can win and isn’t allowed to do so. And this pisses me off.

This is a shame, because I like Lucy. I vastly prefer her to Natsu and Erza, alongside Gray, and I will never forget how she and Loke defeated Bickslow in Gray’s stead. Of all the characters, Lucy feels the most like a real person, which is good because she’s the protagonist. 

brothersblack:

ppl talk about how dramatic sirius was in poa, but like that definitely ran in the family bc regulus went and specifically found another locket to replace the horcrux with, and did you read his note lmfao. “i want you to know that it was i who discovered your secret….” like lmfao both black bros were dramatic little nerds